Lost Geographies Of Power By John Allen - 1583 Words

Case Study Introduction: Power is present in many forms. In his book Lost Geographies of Power, John Allen suggested that power can be found where relationships and social interactions exist. (Allen, 2003). The network of people coming from war torn countries and personal hardships to seek asylum in Australia is just one example of how power can be exercised. The Refugee Council of Australia defines an asylum seeker as a person who has sought protection as a refugee, but whose claim for refugee status has not yet been assessed. (Who are asylum seekers?, 2016) This definition is further extended by Amnesty International, they provide that not every asylum seeker will ultimately be recognised as a refugee, but every refugee is initially an†¦show more content†¦In addition, asylum seekers and their treatment on Australian soil is an example of how power affects self and community networks for asylum seekers. Body 1: All asylum seekers that attempt to arrive by boat onto Australian shores are immediately put into detention. Special detention centres have been built specifically for this use. The detention centres located on Nauru and Manus Islands are two of the most commonly known centres. The purpose of these centres is to deter refugees from attempting to reach the Australian mainland by threat of mandatory detention. (The Lancet, 2017). These two islands are only a few of the many detention centres around Australia dedicated to housing asylum seekers. John Allen noted that geography and power seem to run together in many different ways. (Allen, 2003) This can be related to the power held by the Australian government to deny asylum seekers entry into the country. Allen asserts that most political disputes over land and territory have geography at their core. (Allen, 2003) Asylum seekers for whichever reason, most commonly to escape war or violence have left their home country for a different c ountry. Their desire to change geographical location stays true to the words of Allen. Further, in his words: â€Å"then there are those unsettling moments when you find yourself on the receiving end of a blunt decision or insensitive instruction taken by some far offShow MoreRelatedEssay on Colonial Oppression of Women1123 Words   |  5 Pagescountries also provides the opportunity and justifies the movements of some countries against some others while encourages different definitions for words such as tradition, modernity and civilization. Literature is one of the areas where the unjust power relationships are usually portrayed. Colonial and Postcolonial studies among other critical approaches provide a suitable critical discourse to analyze this issue in literary works. 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During his own time, Cooper influenced public opinion on many important political issues, especially those relating to the Native Americans, and especially the Indian Removal controversy of the 1830s (McWilliams 84). Of all of his writings, howeverRead MoreThe Gog and Magog Prophecy in Ezekiel 38-39 Essay3394 Words   |  14 Pagesaccomplices, interludes, geography, and various elucidations which assist in accurately analyzing and understanding this prophecy. It is important to acknowledge that â€Å"the major interpretive difficulties in these two chapters are the identity of characters and places, as well as the time when these events occur.† There are vast elucidations regarding the invasion of Gog and Magog, therefore, requiring a concentration on Dispensationalism and various scholars interpretations to include: â€Å"John Walvoord, beginningRead MoreInstitution as the Fundamental Cause of Long Tern Growth39832 Words   |  160 Pagesfirst document the empirical importance of institutions by focusing on two quasi-natural experiments in history, the division of Korea into two parts with very different economic institutions and the colonization of much of the world by European powers starting in the fifteenth century. We then develop the basic outline of a framework for thinking about why economic institutions differ across countries. 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Lovecraft-Notably â€Å"the Beast in the Cave†6821 Words   |  28 Pagesnot as universally popular throughout the academia world of classical literature, the fictitious prose of Howard Philip Lovecraft, an early 20th Century American Author, is as influential to English as the works of contemporaries Mark Twain or Edgar Allen Poe. Lovecraft defined his own unique mythology that has been ever expanding under artists and authors inspired by the atheist views presented in the genre weird fiction in which Lovecraft is the crowned proprietor. â€Å"The oldest and strongest emotion

The Impact On The Environment Essay - 1441 Words

Changes in the Land analyzes the changes in ecosystem that was created by the introduction of Europeans into England. It shows the shift of life from Natives to Europeans and many of the changing circumstances. More than the environment being affected, the author goes into detail about how the lives of the Natives and Europeans heavily differed. The European contact drastically altered the land and ecosystem in the environment once settlers were introduced into the picture. The audience of this book is presumed to be the general person who is not fully intact with the ideas that he or she is disrupting the ecosystem and is not aware of the effects they are doing as a whole. The book argues that no ecosystem is completely inert as things such as climate changes or drought. Without human interaction an environment can still have issues, but the introduction of human life and economy does take a grave toll on the climate. These are irreversible effects that mankind are doing to the ecosystem. The English impact has been such a dramatic change in the climate, especially the author compares Theodore s Diary and Williams Ideas of agriculture. The author even goes on to compare the native ecosystem to the nineteenth century colonization. The natives were much less intrusive on the environments as a whole. The evidence for this was the diaries of the travelers and the native. He also strengthens his argument by using primary sources and reaching out to other ex perts. 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Hatchet †Gary Paulsen Free Essays

HATCHET ESSAY Brian Robeson, the main character in Gray Paulsen’s novel Hatchet does experience problems after crashing in the Canadian wilderness. However, he is able to survive because he learns from his mistakes and he becomes more positive and resilient. When Brian survives the plane crash he initially finds it very difficult to cope in his new environment. We will write a custom essay sample on Hatchet – Gary Paulsen or any similar topic only for you Order Now His clothes were soaked and muddy, he was freezing cold and his anorak had been torn. As he was practically motionless a â€Å"swarming horde of mosquitoes flocked to his body. † He was being eaten alive but didn’t have the energy to fight back! Brian approached the lake and all he could see was his ‘ugly’ reflection of his beaten up face. Brian was miserable and lonely and depressed. He could remember how in the city it was all grey and black but now he was in a green nature. Brian had no food so he managed to find some berries which he called â€Å"gut cherries† because of the massive stomach pains they gave him. He was satisfied that he had food but it was nothing compared to what he could eat back home. One night whilst sleeping Brian felt something on his leg, he awoken to see a porcupine near his foot. Without thinking he kicked it and got some of the quills stuck in his foot, Brian then threw his hatchet at the porcupine but didn’t hit it and landed against the wall in his cave. Brian felt so upset with himself. â€Å"It was all too much and he couldn’t take it. † So it can be seen that initially Brian certainly finds it hard to survive in the wilderness. Although Brian finds it difficult at first, he is able to survive because he learns from his mistakes and he is persistent. After the incident with the porcupine Brian needed rest so he lay down on his side and shut his eyes. That night Brian had a strange dream his best friend Terry his father were in it. His dad was trying to speak to him about how he threw the hatchet against the wall and that if he did it again sparks would come. His dream wasn’t at all clear but Brian managed to find out its purpose. The next morning Brian looked over his dream again and again. He grabbed his hatchet and kept hitting the wall with it. Brian knew that he needed something to keep the spark alive so he grabbed a few twigs and tore up a twenty dollar note that he happen to have in his pocket. At first he didn’t succeed but with his persistence Brian made a new friend †¦Ã¢â‚¬ ¦Ã¢â‚¬ fire†. Brian had still been eating gut cherries and needed something new. Brian was down at the lake and noticed some strange tracks across the sand, he thought they may have been turtle tracks so he followed them to find turtle eggs buried, about 12 or so. Brian quickly cracked one open and drank what was inside. He was in heaven and was going crazy over these eggs. He knew he had to leave some so he took the rest back to his shelter. Brian knew he had a fire and he knew that his shelter was near the lake. And what lives in the water? Fish do. Brian could make a fish spear! He carved a stick with his hatchet and began his task of trying to get a fish. It wasn’t working, the fish would just swim away as soon as Brian raised his arm or made the slightest of movements. He needed a better weapon, maybe a bow arrow. Brian’s fire had gone out whilst he was outside and it just so happens that a plane had flown past. Brian was screaming out to try and get the pilots attention but without the smoke he didn’t seem to look down. Brian was destroyed on the inside, he just didn’t want to bother anymore. He grabbed his hatchet and started cutting his wrist. The next day Brian woke up upset but after thinking long and hard he was a new man, he learnt from his mistakes and made a better fire which he would sustain and he would not let anyone or anything get in the way of his survival. He even managed to complete his bow and arrow, he was trying it out when the arrow splinted into his face. He didn’t want to be upset so he made a better arrow which would hold. Brian remembered from past experience with the spear that the light refracts in water so he knew exactly how to get a fish. The trouble was that it wasn’t as easy as he thought but after about an hour of trying Brian finally got one, his first fish. In all the time he’d spent so far in the Canadian wilderness he never thought he would feel so good. With the spare fish guts Brian places them in a shallower pool of water which of course attracted more fish. He then made a small net which fenced off the pool. He basically had his on fish tank where he could eat any at any time. Because Brian is determined and is able to learn from his mistakes he manages to endure this difficult time. As time passes, Brian becomes more positive and resilient and he refuses to give in. Brian had been going well, he’d been eating fish and maintaining his fire so that if rescue did come he’d be back home. Fish was getting kind of boring for Brian and he felt like meat. Of course there were birds around, Brian could hear them all the time. The problem was how to get them? He could use his bow and arrow but the birds might fly away at the sound of movement kind of like the fish. Brian knew about a bird called a fool bird. They have amazing camouflage skills. Brian discovered that the fool birds were shaped rather like pears and that he should look for shapes not colours when trying to capture these birds. With his brain and agility Brian managed to kill one of the fool birds, having his official â€Å"day of first meat. † Weeks had passed and still Brian hadn’t been rescued, it was as if they’d forgotten about him or at least looking in the wrong place. But Brian had to be positive and think positive as he patiently waited day after day. He was doing everything he could think of right so why hadn’t he been rescued yet. Time would tell Brian thought. There would been no Brian Robeson without more injuries, like one day when he was down at the lake a moose came to get a drink and thought of Brian as a pray so the moose rammed his leaving Brian without broken ribs as he thought. Things weren’t going good, he could barely walk well and one night a terrible thing happened. He heard gusts of wind coming from hear there and everywhere. It was a tornado. Brian wasn’t safe at this point in time and he was scared for his life. The next morning he woke up to complete disaster. His shelter had been torn apart, there were trees on the ground everywhere you looked and out on the lake Brian could see that the tornado was that strong that is managed to move the plane so its tail was sticking up. Brian needed to get his fire started again he couldn’t risk another chance of not being rescued. So he fixed up his shelter and started the fire again but still he wasn’t rescued. Brian was getting a bit fed up with the situation that he had to take matters into his own hands. There must have been a survival kit in the plane which he knew would have some sort of rescue device so he put together a raft made out of logs he’d found after the tornado. With his broken ribs Brian paddled out towards the plane. All he had with his was his hatchet. When he got to the plane he tied the raft up and began examining how he could get inside. Brian started chopping at the plan with his hatchet. Then all of a sudden he dropped his hatchet. He couldn’t believe it all this time Brian had been lost the only useful thing he had was his hatchet and now that was at the bottom of the murky lake. He had to retrieve it, he just had to! Brian dived down into the lake looking around but wasn’t able to see anything. He then dived down a second time managing to get his hatchet. He then continued chopping at the plane. After a few minutes Brian had made it bigger for him to just fit through so he climbed inside the plane. Brian looked around and couldn’t see any type of survival kit or bag. So he dived under and found the bag which was attached to the seat in the front of the aeroplane. He managed to get it and started making his way out of the wreckage. As he was pulling the bag out he would budge so Brian moved around whatever was inside and thankfully it came out. He paddled back to shore and back up to his shelter, where he then looked inside the bag. It had everything you could imagine. Blankets, pots, food, water, knifes but most of all Brian saw a transceiver type of device he turned it on at the bottom but it didn’t seem to do anything. Brian was so hungry that he didn’t care about survival right now. He saw packets of food which you just had to add water and you were done. Brian ate about 5 adult meals and then he heard a noise. It sounded like a sort of plane, then he looked up. Coming down landing next to the lake was a plane and a man approached him and said â€Å"Your Brian Robeson, that kid that got lost aren’t you? † Brian said nothing but â€Å"Would you like some food†. By refusing to give in and remaining positive, Brian survives his time alone in the Canadian wilderness. When Brian’s plane crashes it first appears that he will struggle to survive. However with each experience Brian learns to do things differently and this assists his survival. He becomes a person who is able to learn from his mistakes and remain positive and determined in his new environment. How to cite Hatchet – Gary Paulsen, Essay examples

Do You Find the Rendition of Dracula’s Pursuit of Love Through the Centuries Sentimental free essay sample

What is your view? Do you find the rendition of Dracula’s pursuit of love through the centuries sentimental? He is Romeo, whose young wife, believing him dead, kills herself. He is Lucifer, vowing revenge on the God who has betrayed him. He is Don Juan, sucking the innocence out of his conquests. He is the Flying Dutchman, sailing the centuries for an incarnation of the woman he loved. He is Death, transmitting a venereal plague in his blood, in his kiss. He is even Jesus, speaking Jesus last words as he dies, a martyr whose mission is to redeem womankind. Husband, seducer, widower, murderer, Christ and Antichrist, Dracula contains multitudes. He is every mortal man and every mortality with which man threatens women (Corliss, 1992 ). But is he Bram Stokers Dracula? No, he is not. He is Coppola’s Bram Stoker’s Dracula humanized, redeemable, romantic, and tragic figure searching for his long lost love who has come across oceans and time to find it. And only Mina, the avatar of his dead wife, can provide it. Over the years Bram Stoker’s Dracula has been reworked to films many times. Even though Coppola’s film adaptation of the novel is considered as an essentially faithful rendition, the director made one far-reaching alteration to Stoker’s original: the inclusion of the romance between Mina and Dracula. According to some film critics this is the greatest flaw of the film. Originally Stoker’s Dracula is satanic figure, a force of pure evil while Coppola’s Dracula is romanticized hero. The film begins with a pre-credits sequence which tells us that Dracula is the historic Vlad the Impaler (making a factual mistake in saying that he ruled Transylvania. The real Vlad ruled Wallachia, a region of Romania). In this sequence we see that Vlad became a vampire when his beloved wife killed herself after reading a false note of her husband’s death. Later in the film, Dracula believes that Mina is his wife reborn, and he seeks to rekindle that love and make her his beloved again ( Miller, 2007 ). For many film critics this is incredibly unnecessary , and completely cliched, and there is no valid artistic reason to add this subplot. To Fred Botting, Bram Stokers Dracula is The End of Gothic, the final metamorphosis of a faltering convention into some strange and alien form hat destroys all of Gothics power. Harry Benshoff writes, Most of Hollywood’s recent big- budgeted remakes of the classical horror movies have all refashioned their monsters with romanticized narratives and sexy star appeal; for example, Francis Ford Coppola’s Bram Stoker’s Dracula was called by some critics ‘sentimental, not scary, Ã¢â‚¬Ë œprecisely because it grafted a romantic reincarnation love story ( not present in the Stoker’s original, but since the late 1960s an increasingly popular trope ) to the story of bloodsucking aristocrat. But why Coppola and screenwriter of the movie Hart go easy on Dracula this time around, why they dont let him pour out the venom and ferocious sadism that might magnetize the audience, why theyve played up a romantic-victim side that isnt present in the novel theyve otherwise adapted so faithfully. Perhaps Coppola felt that this addition might blunt the horrors of the film for a larger audience, but for many film critics the effect is to complicate an already intricate story, weakening an otherwise superior film. However, may be it is not appropriate to say that Stoker’s Dracula is better than Coppola’s Dracula simply because they are different. The thing that Coppola really should be blamed is to name his version Bram Stoker’s Dracula because in Stoker’s novel, Dracula is almost entirely a â€Å"monster†, in the sense that he has little or no perceptible motives other than to stalk and feed upon (subsequently horrifying and killing) his victims. He acts more as an animal, concerned only with his primal urges to survive (though he deals with these urges in sly, pre-meditated, human-like ways). In Coppola’s take, however, there is an alternate sub-plot which has Dracula as a passionate lover with almost super-human emotions. He is still a monster in the sense that he can transform into horrible beasts and kill people with no regret, but he does so to satisfy his longing for love. The viewer can almost sympathize with him as he cries over the loss of his lover, or claims that â€Å"the luckiest man who walks on this earth is the one who finds true love†. He is a man trapped inside a monster’s body. This is much different than in the book, where he is hated and feared without a doubt of his monstrosity. In fact, the mask of a human form that he hides behind in the book can even be seen to add to his sinister traits; that he would take a human form to deceive his victims just makes him that much more dangerous and downright creepy. He is a monster hiding in a man’s body while Coppola’s Dracula, on the other hand , looks much more like a human being who has been trapped in the body of a monster. In the late twentieth century, monstrosity becomes acceptable in popular culture when there are reasons behind it that surpass the purely one-dimensional evil of Victorian texts. In effect, Coppola’s postmodern vision delineates Dracula as a complex, multi-dimensional entity; a deeply emotional persona perched on the delicate boundary between man and beast, struggling between the incessantly carnal needs of the predator and the longing of an unrealized and possibly redeeming love (Sahay, p. ) Hence, utilizing the popular myths of true love and reinforcing it with â€Å"new age† beliefs in reincarnation, Coppola’s film represents Count Dracula as a redeemable soul whose humanized Otherness dispels much of his monstrosity. The vampire as an icon of evil exists side by side with its postmodernist counterpart. That the vampire created by Stoker has adapted so well without losing connection with its roots is a tribute to the power of the archetype, and of the novel ( Carter, ‘’ Has Dracula Lost His Fangs? ’’). Sympathetic vampires, like Coppola are more appealing to some contemporary readers, but this attraction has a price the loss of some of the power, grandeur and intensity that comes from a confrontation with something utterly diabolical. Count Dracula is appealing and interesting not in spite of the fact that he is evil, but because he is evil. Take that away and you weaken that ritual encounter with evil which is at the core of the best horror fiction. Yet, on the other hand, would the appeal of the vampire be as great were it not for the wave of sympathetic vampires?